A putto is a term primarily used in art and architecture to describe a representation of a chubby, cherubic, or angelic child, usually depicted naked or clothed in a loincloth. Favored during the Renaissance, the putto is typically portrayed with a cheerful expression, often in a playful or mischievous pose. In religious art, putti are commonly associated with Christianity, serving as symbols of innocence, divine love, and recipients of divine messages.
The word "putto" finds its origin in Italy, derived from the Latin word "putus," meaning child or boy. Putti are frequently seen in paintings, sculptures, and frescoes, being part of ornamental and decorative compositions. Often depicted flanking the main figures or adorning architectural elements such as columns or fountains, they add a semblance of lightness, beauty, and ethereal charm.
Throughout history, putti have appeared in various mythological, allegorical, and religious contexts. Renaissance and Baroque masters, such as Raphael, Michelangelo, and Caravaggio, incorporated putti into their works to signify themes like love, joy, innocence, and heavenly presence. Additionally, putti can be found in decorative art and design, adorning furniture, mirrors, and tapestries, adding an element of elegance and grace.
Overall, the term "putto" refers to a delightful representation of a cherubic child, often seen in visual arts, renowned for its pleasing and angelic aesthetic, and conveying attributes of innocence, playfulness, and spirituality.
